THE DEMON LOVER PDF
“The Demon Lover”. Elizabeth Bowen. Toward the end of her day in London Mrs. Drover went round to her shutup house to look for several things she wanted to. The Irish Literary Renaissance. The Demon Lover. Short Story by Elizabeth Bowen did you know? Elizabeth Bowen • served as an air-raid. Page 1 "The Demon Lover" Elizabeth Bowen Toward the end of her day in London Mrs. Drover went round to her shutup house to look for several things she.
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Drover makes her way upstairs, she sees a letter on the hall table. Its very appearance—never mind the lack of a stamp and the fact it is addressed to her—makes no sense, as nobody has been inside the house for some time and no one knows she is due to be there today. The disrepair of the family home suggests it has been tainted by the violence and damage of warfare. The house being stained with previous use and activity also suggests that the past has left a kind of residue behind.
The letter is another kind of intrusion: its appearance cannot be explained, and it emphasizes that all is not as it should be.
Drover does so upstairs in her bedroom. It is also clear that the sender believes Mrs. Drover has made them a promise, though it less clear what exactly this promise entails. When Mrs.
The Demon Lover
Drover reads the letter, the past floods into the present moment. The suggestion that the sender has been observing her for some time and expects her to keep a promise she made a long time ago also reaffirms this sense of the past taking over the present. The fact that the terms of her promise are not specified seems ominous—clearly, whatever it is, she is expected to understand what the sender means and fulfill her mysterious obligation.
Drover attempts to ignore it.
A [Short] Analysis of The Demon Lover by Elizabeth Bowen
She next attempts to distract herself by going through a chest and retrieving the items she has come to collect, but she cannot stop looking behind her at the letter on the bed.
Download it! In a flashback, Mrs. He is nearing the end of his leave from France. The soldier draws away from her, and she in turn looks back to the house, imagining being returned to the company of her mother and sister.
You need do nothing but wait. Drover runs back up toward her family home a few moments later. As traumatic memories are often brought on by loud noises, the fact that the sound of the clock striking six causes a flashback suggests that Mrs.
Drover is suffering from a trauma she is now reliving. In short, her attempts to ignore the past have proven useless. Her family was also relieved, as they did not believe they were a good match. Then, having met her husband, she went on to live a quiet life that she struggles to believe has been observed by anyone. Drover was not unfaithful, so this subtly suggests that whatever is haunting her is perhaps an undeserved punishment.
The house now feels hollow enough to undo the years she has spent there with her family and any comfort she might draw from these memories.
She notices the sounds of rain through the shut windows and, shutting her eyes, attempts to convince herself she has imagined the letter, but when she opens them still sees it lying on the bed.
The threat suggested by the letter and her traumatic memories of the past have contaminated the safety and comfort of the family home.
Active Themes Mrs. How did the sender know she would be there? Putting these issues to the side, she is certain that regardless of how the letter appeared, she must immediately leave the house.
Words in the Dark: The Demon Lover and Other Stories ()
He appears vividly in her memory twenty-five years later, although she still cannot remember his face. She thinks that he is going away far away, but the battlefields in France were relatively close to England.
She remembers how his sharp uniform breast buttons cut her hand and the way she looked at him as if he were already a ghost. Douglas A. Drover has a breakdown after her love is reported missing in action. The house and letter trigger the eruption of Mrs. Drover cannot cope mentally. By compounding the psychological stress of two global conflicts within the span of a single generation, Bowen has placed an exceedingly heavy burden on the shoulders of her protagonist.
Critical Overview Because of her keen awareness of detail, atmosphere, mood, and particularly her focus on the perspectives of female characters, Bowen was frequently compared by critics to such authors as Jane Austen , Henry James, Virginia Woolf, and Kathe-rine Mansfield. The hardships Mrs. Drover endures upon returning to her deserted house has led to much critical debate. Issues concerning Mrs.
According to the postscript of the American edition of The Demon Lover and Other Stories, Elizabeth Bowen wrote the title story of her collection between and But every one of them discovers something of his own identity and fights against the threat of annihilation to preserve that personal existence.
The familiar patterns of experience have been broken, at least temporarily.
Life has been revaluated, perhaps more intelligently. Surprisingly, it has not appeared in any ghost story collections. They wish that their son were alive again. The marriage breaks up shortly thereafter. Of Williams and his fiction, T. After her beloved fails to return from battle the legend goes she marries someone else—only to have the soldier-lover show up, often at the wedding in the guise of a skeletonized corpse, to claim her and carry her away to be united with him in death.
A historical perspective related to warfare in the twentieth century is essential to understanding the story. Understanding this is crucial, because for Kathleen the past and the present fuse into one horrid, timeless moment at the end of the story. No other way of having given herself could have made her feel so apart, lost and foresworn.
She could not have plighted a more sinister troth. Drover were circumscribed, and she dismissed any idea that they were still watched. By marrying someone else, Mrs. Her remembrance of him intensifies upon her finding and reading the mysterious letter in the damaged house. As the reader recalls the faceless person seen leaving the house before Mrs. Drover arrived, the thought arises that perhaps this could be the ghostly lover preparing for his dramatic confrontation with Kathleen, having left her the letter.
Further, the face of the taxi-driver, which makes her scream, may be the face she cannot remember, as James L. She craved safety when she married William Drover, and that very sense of safety is threatened by the environment in which she finds herself when she returns to bomb-damaged London for the day. The gloomy atmosphere of the story contributes greatly to whichever interpretation we choose to embrace.
In such a setting, the sound of the clock striking becomes heightened and ominous to Mrs. Inside the house, Kathleen is once again in her old married setting, feeling isolated, lonely, and apprehensive.
“A Face You Do Not Expect”: The Female Other in Elizabeth Bowen’s “The Demon Lover”
In view of the fact that nothing has changed, I shall rely on you to keep your promise. The writer of the letter also implies that he has been watching Mrs. Kathleen herself doubts the reality of the letter, though she is frightened by the fact that it got into the house, and wonders who put it there. She has the sense of an inexorable fate waiting to confront her. I will ring up the taxi now; the taxi cannot come too soon: I shall hear the taxi out there running its engine, till I walk calmly down to it through the hall.
She tugged at a knot she had tied wrong. She is hanging on grimly to her sanity, trying not to let herself be spooked by what she encounters. The issue of Mrs. Again, Bo wen shifts her narrator into first-person: She remembered not only all that he said and did but the complete suspension of her existence during that August week. I was not myself—they all told me so at the time. She remembered—but with one white burning blank as where acid has dropped on a photograph: under no conditions could she remember his face.
So, wherever he may be waiting, I shall not know him. You have no time to run from a face you do not expect. The narrative here is even more choppy than in other, earlier instances of stream-of-consciousness. In addition, the first transition from third- to first-person narrative is signalled by quotation marks; in the next two instances there are no signs for us.
The critic Douglas A. According to this reading, she imagines the letter, the idea of it issuing from the repressed part of her psyche. To Kathleen, there is no end to the landscape of war, and past and present fuse in her mind. What, then, is the demon that haunts her? Is it, as Hughes suggests, the demon of her repressed memories? Or is it, as Calder suggests, the war itself? War brings with it not only death but a sense of powerlessness to those caught up in it, a feeling of the loss of control over their lives.
Robert L. Calder In the following essay, Calder debates the claims that Mrs. He also suggests that the setting of the story is a catalyst to Mrs. Early critical commentary is typified by Allen E.
Kathleen Drover. There is no evidence, says Fraustino, that Mrs. To the contrary, the fiance was clearly a psychopath who survived the war and has now returned to kill Mrs. Drover on the twenty-fifth anniversary of their parting. Drover suffered an emotional collapse after the loss of her fiance—but in making his own case he is guilty, if not of interpolation, certainly of exaggeration. Drover is dissatisfied with her marriage.
When the bombs drove the family out of London, they settled in the country, and on the day of the story, wearing the pearls her husband had given her on their wedding, she has returned to the city to retrieve some things from their house. These may be images of emptiness, repetition, and stagnation, but they underline the absence of the family and its normal human interaction, not dissatisfaction with the marriage.
Drover as a discontented wife in an unfulfilling marriage runs into difficulty when he attempts to make her behavior relevant to the murder mystery plot.
Drover intends or attempts, even fleetingly, to abandon her marriage. If not, how credible is it that he would return to kill his lover of 25 years earlier? Drover would be visiting her London house on that particular day, or how he managed to engineer events so cleverly that she would inevitably seek a taxi precisely on the hour of seven, can only be guessed. Given her other writing, Bowen is unlikely merely to have written a ghost story or a tale of murder, though she does elsewhere explore psychological breakdown.
If Bowen were writing only about the women haunted by the memories of lovers lost in the First World War, however, she is hardly likely to portray Mrs. After all, few women would mourn the loss of a painful presence or have their present settled lives dislocated by its return. The formula demands a loving fiance described in such detail as to evoke a sense of poignancy when he is lost. We are given the barest of details, not about his features, but about his uniform, and his face remains hidden by the darkness.
Though this is obviously a very significant element in the story, both Hughes and Fraustino give it little attention. Hughes briefly suggests that the facelessness is the result of Mrs. Several years into the Second World War, when Britons were facing the real possibility of annihilation of their culture and civilization, she is more likely to have invested the soldier with a more ominous significance. In the midst of one war, a relic from an earlier one that was to have been the war to end all wars, would be a ghastly symbol of endless, inescapable violence.
Bowen, born in and having worked in a hospital for shell-shocked soldiers in , could hardly have escaped feeling that the violence of one war had been let loose again in another. The present action takes place in August , and the earlier parting took place in August , almost exactly half way through a war that began in August—just as August had seen Europe rushing into another conflagration. The faceless, featureless soldier becomes a representative figure, a threatening everyman in military uniform.
Ruby Cohn and Bernard Dukore, ]. As we now know, however, the seeds of the second armed conflict had been sown and not eradicated in the first. But Kathleen is not haunted by her demon lover in September Total war did not really touch those in Britain until the following summer, and then she and her family were isolated from its full horror by living in the country.
One cannot look back too far to ask, of what? Like Kathleen, they could only scream. Source: Robert L. Daniel V. Fraustino In the following essay, Fraustino disputes the argument that Mrs. Drover is insane, stating that the story is a murder mystery. Hughes dismisses the popular ghost-story interpretation and advances his own psychological one.
Thus, the house does not signify a fundamentally disturbed mentality, ravaged as it may be, issuing from a buried trauma; it reflects her impoverished married life.
The landmarks and objects Mrs. Thus, images of age and death, of repetition and stagnation, proliferate in the description of the house. The street Mrs. Drover first sees the letter addressed to her on the hall table:. All the same, who, seeing the house shuttered, would have dropped a letter in at the box?
It was not a circular, it was not a bill. And the post office redirected, to the address in the country, everything for her that came through the post.
The caretaker even if he were back did not know she was due in London today—her call here had been planned to be a surprise—so his negligence in the manner of this letter, leaving it to wait in the dusk and the dust, annoyed her.
Clearly, nothing in Mrs. Also, and importantly, the narrator characterizes Mrs. The story ends with his desertion from her and his infant daughter. Hughes is correct: Mrs. Clearly, part of the answer lies in the identity of the taxi driver. Does Mrs. Drover hallucinate, as Hughes maintains, thereby mistaking the driver for her former fiance?
Drover reminisces. Mother said he never considered me. He was set on me, that was what it was—not love. Not love, not meaning a person well. Not surprisingly then, he chooses to celebrate their anniversary, twenty-five years to the day, in the only way consistent with his destructive sense of love: with Mrs. Drover hears leaving the basement. This interpretation may not suggest the answer to every question the reader may have.She tugged at a knot she had tied wrong.
Millions of immigrants from Europe and beyond came to America. Drover, psychologically maimed and predisposed to a sense of loss, the return to the house is a shattering revelation, a threshold experience that activates her dormant hysteria. You won t forget that.
Original spelling is retained in all quotations, but punctuation is converted to American style. More information.
Search for. Not that one could do anything A shaft of refracted daylight now lay across the hall.
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